#The three stooges 2012 movie

Sean Hayes, in his monstrously ugly frizz-mop (the subject of many a droll and bewildered putdown), does wonders with Larry’s lost-puppy stare and syrupy voice he makes him a touching, trusting dupe, the kind who will never be fast enough to outthink Moe’s open hand. All three of the leads get very close to the Stooges’ old looks and personalities, but they do more than impersonate they inhabit.

”Oh, tweet us to dinner? Soitenly!” Bits like that do more than revive the Stooges’ idiocy - they give it flava.Īnd so do the actors. ”I’ll tweet you,” says someone to Curly a little later on. ”I am!” says Curly, holding an onion and a vegetable peeler, ”I’m smothering him in onions!” ””Ehhh,” growls Moe, ”good thinking, Emeril!” as he takes the peeler and applies it to Curly’s skull. ”I thought I told you to smother him!” barks Moe at Curly, standing near the man in a hospital bed who they’ve signed on to kill. (They think they’re getting $830,000 for the job and plan to use the money to save their old orphanage.) The contemporary setting turns out to work incredibly well, because it lends a fresh, hip vitality to the Stooges’ violence. The Farrellys have taken the bowl-cut ringleader Moe (Chris Diamantopoulos), the Bozo-haired sad sack Larry (Sean Hayes), and the light-on-his-toes oaf Curly (Will Sasso) and plunked them down in 21st-century America, where a babe (Sofia Vergara) and her boyfriend (Craig Bierko) lure them into a plot to murder the babe’s husband (Kirby Heyborne).

#The three stooges 2012 movie

Therefore, there is a tonal tug of war between slapstick gags that you expect from this franchise and the earthier humour you find in other Farrelly Brothers movies.But once the Stooges grow up and go out into the world, the movie starts to jell in a fluky, original way. The problem is that it seems out of place and doesn't fit well into the narrative. To cater to contemporary tastes there is a degree of cruder material and sexual under current to a lot of the humour. The depiction of the Catholic Church, nuns and orphanages is lazy and tired. However, the story that the actors have to hang their performance on, is weak, poorly paced and littered with asides that don't work. They have successfully captured the style, idiom and physical technique of the original trio and are very funny in themselves. That is not to say that the film is not without merits, but overall it fails to deliver in a manner that pleases all parties.įirst off let me make it clear that the casting of Sean Hayes, Will Sasso and Chris Diamantopoulos as Larry, Curly and Moe is spot on and their performances are exceptional. After finally having caught up with the movie, six years after its theatrical release, I am afraid all my initial fears have proven true and that The Three Stooges falls into all the traps I anticipated it would. However, as more information came out regarding the production and it became clear that the Farrelly Brothers are consummate fans of the source material, I began to revise my expectations. When the first trailer was released it seemed to highlight the major differences between the old school slapstick humour of the forties with the worldly adult style of present comedy movies. I had mixed feelings about whether The Three Stooges could be successfully re-imagined and revitalised for a modern audience.